Commercial programs can become obsolete or migrate to new versions incompatible with older ones, and new operating systems or altogether new machines can appear on which older works will not play. Bushman wants to tap the promise of [broader, transnational] comparative history and I agree, but religious devotees are sometimes skittish about comparative analysis because it seems to rob their particular religion of its uniqueness.
The couple are taken up by rich people, but when the wife tells a lie, the rich people drop them.
See also " synchronic. And within a few decades in the early parts of the 20th centurythe use of parallels to demonstrate relationships between texts and authors had taken a distant back seat.
Another kind of interrogation of the conjunction between code and language has been explored by John Cayley through procedures that he calls "transliteral morphing," algorithms that transform Essay on intertextuality texts into target words letter by letter, a strategy that emphasizes the discreteness of alphabetic languages and its similarities to the discreteness of digital code.
Hatje Cantz Books,pp. However, the content of their site is a testament of classic conscious intertextuality. According to Barthes in"It [la langue] is the social part of language, the individual cannot himself either create or modify it".
The problem occurs, as Smith notes, when we suggest that ontological and theological claims are identical with historical claims—and thus suggest that all we need to do to deny the ontological and theological claims is to demonstrate that the environment and the process is not unique by stressing similarities and not differences.
The Making of a Prophet is referenced and quoted with approval in Mormon Parallels dozens of time, often occurring in discussions about these origins mentioned by Underwood.
On Comparison Ever since the notion of originality entered into the discussion of literature and religion, we have also seen those who challenge through comparison the originality of particular works and authors.
It is an imperfect conventional form of code created by few people whom we do not know and it is surrounded by non-existent concepts.
You, like most people, would probably classify the statement "the Earth is round" as a "fact. The user can intervene in various ways, but all paths lead to an explosion at the end, a programming choice that maintains intact the Aristotelian plot shape of a beginning, middle and end.
The readers construct their own text, and therefore their own meanings as they navigate through the internet, often with no apparent logical progression. Dan Waber comments that "I think the word and the letter have been three dimensional in many ways for a very long time.
How to maintain such conventional narrative devices as rising tension, conflict, and denouement in interactive forms where the user determines sequence continues to pose formidable problems for writers of electronic literature, especially narrative fiction.
Note 76 In a sense, literary criticism has long regarded print works as enacting these kinds of systems, infinitely reconfigurable as critical attention shifts focus from one kind of textual parsing to another.
So what does it mean to be unique?
West Side Story is an example of intertextuality in that it is the modern retelling of Shakespeare's tragedy of Romeo and Juliet. He introduces two major lines of thought dealing with the development of the idea that Jesus was divine.
Through comparison, parallels have been introduced frequently as proof or evidence of different issues within Mormon studies. In the second edition of Writing Space, subtitled Computers, Hypertext and the Remediation of Print, Bolter incorporates insights from the important work he co-authored with Richard Grusin, Remediation: In brief, one cannot begin to answer the questions unless one has first thoroughly explored and understood the specificities of digital media.
The book of Revelation is an example of an apocalypse, and Mark 13 is sometimes called the "little apocalypse. For more on chiasm or "chiasmus" see Tim Bulkeley's online Amos commentary.
Some of the words are peculiar to the various disciplines of "The Guild," others are more general terms that non-academic readers sometimes experience as stumbling blocks.
In both stories, the men have beautiful, socially ambitious wives.
Mark Hansen, focusing more on digital arts than electronic literature, makes powerful arguments for the role of the embodied perceiver as not only a necessary site for the reception of digital art work but as a crucial aspect foregrounded by works that literally do not make sense without taking embodiment into account.
Arthur Marmorstein concluded his study by claiming that Jesus said nothing new.
Exploring and understanding the full implications of what the transition from page to screen entails must necessarily be a community effort, a momentous task that calls for enlightened thinking, visionary planning, and deep critical consideration.
Stephanie Strickland, an award-winning print poet who has created significant work in digital media, has a keen sense both of literary tradition and of how criticism needs to change to accommodate digital media.
The other side denies the historical process and simply claims revelation. In Jon Ingold's All Roads, the player Essay on intertextuality is a teleporting assassin, William DeLosa, over whom the interactor discovers she has minimal control. Generative art, whereby an algorithm is used either to generate texts according to a randomized scheme or to scramble and rearrange pre-existing texts, is currently one of the most innovative and robust categories of electronic literature.
One such example of this concept from Porter is the Declaration of Independence. The intermixture of code and language on which recombinant flux depends is situated within a more general set of practices in which human thinking and machine execution collaborate to produce literary works that reference both cognitive modes.
One of the most common misconceptions about writing is the idea of the 'lonely writer'; that great writers' papers are filled almost entirely with original ideas and messages.Intertextuality challenges the idea of a text's ability to be truly original and therefore disagrees with Hirsch's theory.
In this essay, I will focus on how conscious intertextuality as well as the semiotics involved in unconscious intertextuality both dispute the idea that the meaning of a text belongs exclusively to its author's intentions.4/4(1).
Examples of intertextuality include Mary Shelley's novel Frankenstein; or, the Modern Prometheus (which alludes to the Greek myth of Prometheus), James Joyce's novel Ulysses (which is a pastiche. Biblical Studies glossary of terms one comes across when moving from devotional Bible study to academic, scholarly Biblical Studies.
This minimum 70% media practice one year programme aims to provide teaching and learning to a minimum professional standard in creative radio, radio and multimedia journalism, radio/audio documentary and drama, and live radio broadcasting.
The word dystopia is a combination of the Greek prefix δυσ- (dys-), meaning “bad” and τόπος (topos), meaning “place.”The definition of dystopia came about as an antonym to the word utopia, which philosopher Thomas More coined in for a work of fiction set on an imaginary ideal island nation.
This film relates back to events in the past in ‘our’ world with issues such as discrimination and the mistreatment of people of a particular race or religion.Download